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Hrishikesh Mukherjee's best films_我的网站

一 |     Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years.      In This Article      Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966)          Cast: Dharmendra, Sharmila Tagore, Tarun Bose               Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life.     Aashirwad (1968)          Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal          Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance.      Satyakam (1969)          Cast: Dharmendra, Sharmila Tagore     The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth?     Anand (1971)          Cast: Rajesh Khanna, Amitabh Bachchan          Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor  Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun.     Guddi (1971)          Cast: Dharmendra, Jaya Bhaduri     Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl.     Bawarchi (1972)          Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote     The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it.     Namak Haram (1973)          Cast: Rajesh Khanna, Rekha, Amitabh Bachchan          This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle.     Abhimaan (1973)          Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal          Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film.      Mili (1975)          Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar     Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome.      Chupke Chupke (1975)           Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan          The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion.      Khubsoorat (1980)           Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala     When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by  Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards.           The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。    近年来，我市深入贯彻以人民为中心的发展思想，以党建聚合力，以改革促发展，以服务惠民生，用心用情用力解决群众急难愁盼，不断将民生领域的“关键小事”办成百姓心头的“温暖大事”，民生保障、社会治理、社会服务等各项工作均取得显著成效。         　　搭建精准就业平台 激活民生“一池春水”          　　就业稳，民心安。作为民生之本、稳定之基、发展之源，就业与千家万户的切身利益息息相关。近年来，我市以升级实施“雷锋在线365”扎根计划为动能，聚焦求职者和用工企业供需两端，通过市场聚合、部门联动、沈阳现代化都市圈多城互联、跨区域合作招聘等方式，全力破解“就业难”与“用工难”矛盾。围绕更好地推动人岗匹配，以线上线下“就业‘职’通车”为载体，创新深耕“双线招聘+成果展示+直播带岗+视频探岗+政策宣传+用工维权”一体化招聘保障服务模式，依托市、县（区）两级直播团队，搭建“固定直播间+流动直播点”双推介平台，畅通“人社局长走进直播间”“小何带您进企业”等线上服务通道，打造了“暖心服务工具箱”“锋暖课堂”“‘雷锋红’就业创业服务代办站”等就业服务品牌。

二 |          　　2023年以来，相继发出“就业‘职’通车”330列，开展“直播带岗”486场，“视频探岗”12期；通过“暖心服务工具箱”等滚动推送政策服务120期；组建“雷锋红”就业创业代办服务队31个；19项就业创业政策有效落实，实现城镇新就业1.82万人，失业人员再就业2.93万人，就业困难人员就业0.9万人。今年年底前，全市“雷锋在线365舒心就业进基层”就业创业指导服务站点将达到75个，国家、省、市级充分就业社区77个。         　　老旧小区改造 “面子”焕新 “里子”做实          　　老旧小区改造工程，也是我市重要的一项民生工程。随着城市化进程不断深入，老旧小区改造成为提升城市品质、改善居民生活环境的重要举措。2019年起，我市全面启动、实施城镇老旧小区改造工程，经过不断努力，这一工程深得民心，取得阶段性成果。         　　据了解，我市共有189个建成于2000年底前的城镇老旧小区，总建筑面积1035万平方米，涉及住宅楼2798栋，惠及居民17.07万户。市住建局作为我市城镇老旧小区改造工作牵头单位，积极组织开展工程实施。

三 | 2019年至2023年，我市改造住宅楼2557栋，惠及居民16.02万户。         　　2024年，我市计划改造27个老旧小区，涉及住宅楼241栋，惠及居民10512户。

四 | 目前，已完成楼体保温16.6万平方米、完成路面硬化28919平方米，已改造“三供”（供热、供水、燃气）管网140.28公里。         　　精准发力“保交房” 全力以赴“惠民生”          　　“保交楼、保交房”工作，一边连着百姓福祉，另一边连着城市发展。为推进“保交楼”交付工作，我市实行了“一个项目、一套班子、一个方案、一抓到底”的“四个一”工作机制。成立“保交楼工作专班”下沉项目施工现场保进度、保质量、保安全，在“保交楼”攻坚阶段，组建以国有专业公司为主的突击队伍，督导按时保质保量兑现交楼承诺。通过开展“工地开放日”活动、制定“重点项目公示牌”等方式畅通群众监督渠道，有效消除购房者对项目工程的各种疑虑和诉求。

五 |          　　为方便购房业主进一步了解施工进度及质量等情况，“保交楼工作专班”还与购房业主代表建立微信群，由购房业主推荐“义务监督员”，每周到项目现场实地查看项目建设情况，推进项目实施竣工。截至目前，我市提前完成了“保交楼、保交房”任务。         　　化解不动产“登记难” 为不动产“解冻”让权益“归位”          　　我市聚焦“痛点、堵点、难点”，进一步推动整治不动产“登记难”问题化解工作，加快为“不能办证”项目群众办理不动产权证书。开设 “不能办证”项目小区专用办理窗口，实现购房群众即来即办。同时，开设专场为有需求的“不能办证”问题项目小区群众集中办理不动产登记。         　　目前，已为全市121个“不能办证”项目小区41890户具备登记条件群众办理了不动产登记，分户登记化解率达94.51%。                   责任编辑：刘春阳。

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